The installation represents a mirroring, in which parts of the movable walls and the changing rooms behind the walls are reflected and reconstructed. By reproducing the Victorian architecture and the movable walls (that provide a pure exhibition background similar to a White Cube), the particular entanglement and mutual framing of these architectural styles is staged. From the viewpoint at the entrance, one sees the architectural object cut out into a square shape, which refers to the Albertian window – a frame through which a perspectival painting was traditionally constructed. The pyramidal shape evokes the idea of a three-dimensional draft of Renaissance perspective.


Disjunction, 2007
Wood and paint,
Site specific installation